Critical essay on the wizard of oz

What THE WIZARD OF OZ can teach adults about film analysis

The editions they published lacked most of the in-text color and color plates of the original. It was not until the book entered the public domain in that new editions, either with the original color plates, or new illustrations, proliferated. Notable among them are the Pennyroyal edition illustrated by Barry Moser , which was reprinted by the University of California Press , and the Annotated Wizard of Oz edited by Michael Patrick Hearn , which was published by W.

Norton and included all the original color illustrations, as well as supplemental artwork by Denslow. Baum wrote The Wonderful Wizard of Oz without any thought of a sequel.

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After reading the novel, thousands of children wrote letters to him, requesting that he craft another story about Oz. In , he wrote and published the first sequel, The Marvelous Land of Oz , explaining that he grudgingly wrote the sequel to address the popular demand. In his The Emerald City of Oz , he wrote that he could not continue writing sequels because Ozland had lost contact with the rest of the world.

Utopia Americana

The children refused to accept this story, so Baum, in and every year thereafter until his death in May , wrote an Oz book, ultimately writing 13 sequels. He wrote, "To please a child is a sweet and a lovely thing that warms one's heart and brings its own reward.

Until this version, the book had inspired a number of now less well known stage and screen adaptations, including a profitable Broadway musical and three silent films. The film was considered innovative because of its songs, special effects , and revolutionary use of the new Technicolor. The story has been translated into other languages at least once without permission and adapted into comics several times.

Essay on Analysis of the Film: The Wonderful Wizard of Oz

Following the lapse of the original copyright, the characters have been adapted and reused in spin-offs, unofficial sequels, and reinterpretations, some of which have been controversial in their treatment of Baum's characters. From Wikipedia, the free encyclopedia. Frank Baum. For other uses, see The Wonderful Wizard of Oz disambiguation. This last story of The Wizard is ingeniously woven out of commonplace material. It is, of course, an extravaganza, but will surely be found to appeal strongly to child readers as well as to the younger children, to whom it will be read by mothers or those having charge of the entertaining of children.

There seems to be an inborn love of stories in child minds, and one of the most familiar and pleading requests of children is to be told another story. See also: List of Oz books. Main article: Adaptations of The Wizard of Oz. Novels portal. Frank Baum With Pictures by W. Chicago: Geo. Hill Co. Retrieved February 6, — via Internet Archive. Rogers, L. Frank Baum, pp. The New York Times. October 27, Archived from the original on January 18, Retrieved December 3, Chicago Tribune.

The Wizard of Oz | film by Fleming and Vidor [] |

Archived from the original PDF on November 28, Retrieved November 28, Salem Press. Grand Rapids Herald. September 16, Archived from the original PDF on February 3, Retrieved February 2, Google Books. Frank ; Hearn, Michael Patrick The Annotated Wizard of Oz. New York: C. The Spokesman-Review. Retrieved February 13, Archived from the original on July 18, Retrieved November 25, Frank Baum". Lawrence, University of Kansas Press, , p. The Wonderful Wizard of Oz.

Harpers Collins, , p. Archived from the original on April 16, Retrieved October 29, Follow the yellow brick road to Archived from the original on June 10, Library of Congress , December 20, Archived from the original on January 25, Retrieved January 28, Archived from the original on October 22, Retrieved October 22, September 8, Archived from the original PDF on January 18, Retrieved November 26, The Horn Book Magazine. Library Journals. Library of Congress. Archived from the original on February 7, Smithsonian Institution. The Florida Times-Union.

Associated Press. Archived from the original on August 13, Abrams, Dennis; Zimmer, Kyle New York: Infobase Publishing. Aycock, Colleen and Mark Scott Barrett, Laura Southern Illinois University. Archived from the original on December 24, Retrieved March 7, To Please a Child. Berman, Ruth November Science Fiction Studies. DePauw University. Archived from the original on October 2, Retrieved November 27, Bloom, Harold Classic Fantasy Writers. New York: Chelsea House Publishers.

In this Book

Carpenter, Angelica Shirley; Shirley, Jean Frank Baum: Royal Historian of Oz. Minneapolis: Lerner Publishing Group.

Culver, Stuart. Culver, Stuart University of California Press 21 : 97— Dighe, Ranjit S. Gardner, Martin; Nye, Russel B. Greene, David L. The Oz Scrapbook. Random House. Hanff, Peter E and Douglas G.

Analysis Of The Book ' The Wizard Of Oz '

Greene The International Wizard of Oz Club. Journal of Economic Education. Hearn, Michael Patrick ed. Florida State University.

His own story has been interpreted multiple times - in theater, film, and further books. Dorothy resembles a princess like Cinderella in that she lives with people who are not her mother and father but is an heir to more than she can understand at the story's outset. There is a fairy godmother and a witch, strange and fantastical creatures, a dangerous journey, a magical mark and magical shoes, dark forests and splendid or terrifying castles, talking animals, stalwart friends, and a task for Dorothy to accomplish.

Wonder tales have an aura of enchantment, which the Wonderful Wizard of Oz has in spades. The novel is not as dark as the European fairy tales that Baum grew up with however; the dangers are less terrifying, the villains dispatched quite easily, none of the protagonists die, Dorothy does not deal with any sexual issues or even any serious emotional ones, and the tone is lighthearted and whimsical. It is truly an American fairytale told with a childlike sense of ethics. There are many details in the novel that exemplify the American reality of the book's time - scarecrows, fields, farmers, prairies, forests, and deserts.

The geography of Oz has been discussed in terms of its resemblance to America; the Emerald City was supposedly modeled after Chicago at the time of the World's Fair and the four quarters of Oz represent the east, west, south, and north of America. The Munchkins live in a country that resembles Dutch Pennsylvania. The north is said to resemble the forests and lakes of Michigan, which Baum visited. Baum had attended the World's Fair in Chicago and saw myriad strange and wondrous things that may have influenced him in his creation of Oz.

The novel is also considered American for its expressed themes, including echoes of Populism, and its puritanical sexuality. The novel is simple and there are no real "adults".